Picaresque Novel in English Literature | BA Sem 3 Reading Fiction Lecture 7

Added:

Novel Types
Picaresque Defined
Picaro's Journey
Social Voice
Picaro Character
Broader Scope
Core Conflict

Novel Types

2:03
Playing Section
  • 1

    Categorizes major novel forms including romance, picaresque, and epistolary.

  • 2

    Serves as an introduction to the module's scope and focus.

Understanding of basic literary terminology, specifically narrative structure, prose fiction, and the distinction between plot and theme.
Familiarity with the concept of literary satire and how authors use irony, caricature, and humor to critique societal institutions.
An awareness of European history during the 16th to 18th centuries, particularly the socio-economic shifts in Spain and England that gave rise to class disparities.
Knowledge of the traditional heroic archetype in classical and medieval literature (e.g., chivalric romances), which serves as the direct contrast to the picaresque protagonist.
In-depth textual analysis of seminal English picaresque works, such as Daniel Defoe's 'Moll Flanders' and Henry Fielding's 'Tom Jones'.
A comparative study of the Picaresque novel and the Bildungsroman (novel of formation), focusing on how character growth and episodic structures differ between the two genres.
Investigation of the 'Neo-Picaresque' in 20th-century and contemporary literature, analyzing modern adaptations in works like Ralph Ellison's 'Invisible Man' or road-trip novels.
Application of Marxist and sociological literary theories to evaluate how the picaresque genre represents class struggle, marginalized characters, and economic survival.
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A picaresque novel is an episodic narrative form popular in Europe during the 17th and 18th centuries, featuring a picaro (anti-hero of low birth and evil life at war with society) who wanders from place to place in an effort to survive, often satirizing both the individual and society; the genre originated from medieval romances, gave voice to marginalized classes like beggars and vagabonds, and evolved from strict adherence to the picaro character to a broader definition requiring only an episodic narrative pattern, as seen in works like Daniel Defoe's Moll Flanders, Henry Fielding's Tom Jones, and Mark Twain's Adventures of Huckleberry Finn.