Kierkegaard's Dialectic of Faith in Fear and Trembling

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Faith's Paradox
Two Knights
Knight's Return
Ethical Suspension
Singular Leap

Faith's Paradox

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  • 1

    Explores Kierkegaard's Fear and Trembling, focusing on the story of Abraham and Isaac.

  • 2

    Faith is presented as superior to knowledge, a passionate leap beyond doubt and certainty.

  • 3

    Discusses how faith involves renunciation and recovery through the absurd.

The Biblical narrative of the Binding of Isaac (Genesis 22), which serves as the primary theological text and case study analyzed throughout 'Fear and Trembling'.
Kierkegaard's method of pseudonymous authorship and why he uses the persona of Johannes de silentio to critique objective philosophy.
G.W.F. Hegel's concept of 'Sittlichkeit' (universal ethical life), as Kierkegaard's definition of the 'ethical' is a direct response to Hegelian philosophy.
The foundational principles of Existentialism, specifically the emphasis on the individual, personal responsibility, and subjective truth.
Kierkegaard's 'Three Stages on Life's Way' (Aesthetic, Ethical, and Religious) to understand where the Knight of Faith resides in his broader existential framework.
An exploration of Kierkegaard's concepts of anxiety (Angst) and despair by reading his subsequent works, 'The Concept of Anxiety' and 'The Sickness Unto Death'.
The legacy of the 'leap of faith' in 20th-century secular existentialism (e.g., Jean-Paul Sartre and Albert Camus) and dialectical theology (e.g., Karl Barth).
Kantian and utilitarian critiques of the 'teleological suspension of the ethical', examining whether ethics can ever be suspended for a higher religious calling.
90.2K views3.1Klikes10:16@OverthinkPodcastPhilosophyOriginal Release: 2022-02-11

In Kierkegaard's Fear and Trembling, faith is a passionate leap into the infinite that moves between the infinite and the finite, beyond the binary of knowledge and ignorance. The knight of infinite resignation renounces everything and rests in infinity (like Socrates), while the knight of faith passes through resignation but moves beyond it, regaining everything by virtue of the absurd. Abraham exemplifies the knight of faith, undertaking a teleological suspension of the ethical—sacrificing his son Isaac based on God's private command—whereas the tragic hero (like Antigone) only suspends one ethical movement for another within the sphere of norms. Faith is incommunicable and belongs entirely to the world, distinguishing it from the ethical sphere of social norms.